InvoiceTools
A camera operator in a cap and hoodie films the city skyline across the water from a tripod

For videographers

Free videography invoice and production estimate templatesProduction
paperwork,
made clear.

Estimates, invoices and payment tools
built for videographers, so you can spend
less time on paperwork and more time
behind the camera.

Create your first estimate

Video production
estimate

Project
Brand Film
Client
Horizon Media
Date
Mar 4, 2024
Pre-production
$1,200
Production (2 days)
$4,000
Editing
$2,000
Licensing
$1,300

Total$8,500

Edit estimate

The production process

A clear path
from idea to income.

InvoiceTools helps videographers create
the documents and tools to keep every project
moving, from first conversation to final payment.

  1. Brief

    Capture the vision, goals and key details.

  2. Pre-production

    Plan the shoot, crew, locations and logistics.

  3. Shoot

    Bring the vision to life on set.

  4. Edit

    Turn footage into a finished story.

  5. Deliver

    Send the final files and get paid.

Project scope

Every detail.
In one place.

Create professional estimates
that show exactly what's included,
so everyone is aligned from
day one.

Start a production estimate

Production call sheet

Project
Brand Film
Client
Horizon Media
Date
Mar 4, 2024

Shooting hours

  • 2 days
  • 8 hours/day

Gear

  • Cinema camera
  • Lenses
  • Lighting kit
  • Audio kit
  • Drones (as needed)

Editing

  • Rough cut
  • 2 rounds of revisions
  • Color grading
  • Sound mix

Crew

  • 1 Director
  • 1 Camera operator
  • 1 Assistant
  • 1 Producer

Locations

  • Studio
  • Downtown
  • Outdoor (permit)

Licensing

  • Royalty-free music
  • Stock footage
  • Commercial use

From estimate to paid

Professional
documents that
flow together.

Create an estimate, turn it into an invoice,
collect a deposit and get paid, all in
InvoiceTools.

All 10 videographer invoice designs

Equipment & licensing

Document your
essentials.

Show your gear, crew, locations and
licensing details with professional clarity.

  • Camera & lenses

    • Cinema camera
    • Prime lenses
    • Lighting kit
    • Audio kit
    • Drones
  • Crew & personnel

    • Director
    • Camera operator
    • Assistant
    • Producer
    • Additional crew
  • Locations & permits

    • Studio
    • On location
    • Permits (as needed)
    • Travel and lodging
    • Parking
  • Media & licensing

    • Music licensing
    • Stock footage
    • Talent releases
    • Location permits
    • Commercial use

Templates & tools

Built for video
professionals.

Simple tools. Professional results.

Payments & tracking

A smoother way
to get paid.

Send the final invoice, accept payments
and keep projects moving.

Scan to pay

Clients can pay instantly via
card, ACH, Venmo or Cash App
on your own payment page.

  • Card
  • ACH
  • Venmo
  • Cash App

Optional tracking

Share a payment link and
let clients check the status
anytime.

Frequently asked questions

What should a videographer invoice include?

Split filming days from editing, then list the finished videos with their lengths and formats, the revision rounds included, and extras such as drone, crew and licensed music. State the usage rights the fee covers and when final files will be delivered. For event work, show the deposit already paid against the total so the balance is clear.

How much should I charge for full-day filming?

It depends on the hours on site, crew size, the camera, audio and lighting kit you bring, travel, how much preparation and scouting the shoot needs, and whether the footage is for a wedding, a brand or broadcast use. The generator opens that line at $1,400.00 as a placeholder, so type your own day rate over it.

How do I price editing separately from the shoot?

The shoot day covers filming. Editing goes on by the finished minute or by the hour, with revisions beyond the agreed rounds on their own line. It is editing, not filming, that overruns, so logging your edit hours on a timesheet shows when a project has passed what was quoted.

How much deposit should I take to hold a date?

Set an amount that covers the work you turn away by holding that date, and say in the contract whether it is refundable if the client cancels. Wedding and event videographers commonly ask for the balance before the event or before final delivery. Show the deposit as a paid line on the final invoice so only the balance is due.

What can I do if a client has not paid the final invoice?

Hold the final files until the balance clears, and say so in the contract before the shoot. Send watermarked or low-resolution previews for approval instead of masters. If the client already has the files, a contract that makes the usage license conditional on payment gives you something concrete to point to. Send a statement before anything formal.

Do I charge sales tax on video production?

It depends on the state and on what you deliver. Some states tax video production, or a finished video handed over on a physical drive, while others treat it as an untaxed service or tax only digital products. Licensing footage can be treated differently again. Keep physical media, licensing and services on separate lines, and check your state's rules.

Should drone footage be a separate line?

Yes. Commercial aerial work needs a certified remote pilot, often an airspace authorization near airports, and extra time for flight planning and weather checks, so it costs more than ground footage. A separate line also lets the client drop it if the weather or the location makes flying impossible, without reworking the whole invoice.

Is this a videography invoice template?

Yes. It is a videography invoice template that separates shooting time from editing time, because the edit almost always takes longer and pricing them together hides it.

How many revision rounds should an edit include?

Most videographers include one or two rounds of changes on the rough cut and one on the fine cut, then bill extra rounds by the hour. Write the number of included rounds on the estimate and the rate for more, so a fifth round of notes becomes a line on the invoice rather than free work.

How do I put licensing and usage rights on an estimate?

Add a line or a note that names where the client may use the video, for how long and in which region, for example web and social in the US for two years. Broadcast, paid ads or a longer term can be priced as their own license line, so the client sees what wider use costs.

How do I bill travel for an out-of-town shoot?

List travel days at a day rate or half rate, then flights, hotel, mileage and gear shipping as their own lines at cost or as agreed. Put the location and shoot dates in the job details, and agree the travel lines before you book anything.

Can I bill a video project in milestones?

Yes. A common split is a deposit to hold the shoot date, a payment after the shoot or the first cut, and the balance on final delivery. Make each milestone its own invoice that names the stage, and show the earlier payments so the balance is clear.

Do I have to hand over the raw footage?

Only if the estimate says so. Many videographers deliver the finished edits and keep the raw files, or sell the raw footage as a separate line. State it either way in the deliverables so there is no argument after the project.

Can clients pay the invoice by card, ACH, Venmo or Cash App?

Yes, on your own payment page. Add your Stripe, PayPal, Venmo or Cash App link, or your ACH details, to the invoice, and the QR code opens that link. Unless you turn on Pay now with your own Stripe account, InvoiceTools does not process payments, and it never holds money.

A laptop, a camera lens and a notebook on a dark desk by a window over the city

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Professional paperwork
for your next project.

Create estimates, send invoices and get paid your way.
Free to start, right in your browser.

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What to include in a videographer invoice

  • Shoot days and overtime. Filming time on location, kept separate from editing, with any overtime past the agreed day on its own line.
  • Editing and revision rounds. Edit time by the hour or the finished minute, with the number of revision rounds included, so the next round is clearly billable.
  • Deliverables and formats. Each finished video with its length, aspect ratios and social cutdowns, so the client can check they received what was agreed.
  • Usage rights. Where and for how long the client may use the footage, such as web only or broadcast, since wider use is usually priced higher.
  • Drone pilot certification. Aerial work flown under an FAA Part 107 remote pilot certificate, with any airspace authorization noted, which commercial clients and venues often ask for.
  • Crew and gear rental. Second shooters, audio operators and rented lenses or lights billed per day, so your core day rate stays comparable between jobs.
  • Music and stock licenses. Licensed tracks and stock clips bought for the edit, at cost or with markup, because each license is tied to this client's use.
  • Location, travel and permits. The shoot address and date, plus mileage, parking, travel days and any filming permit fees for the location.

Made for the way videographers work

  • The lines every shoot has

    Full day filming, editing per finished minute, drone, travel and license. Pick videographer and they are on the page.

  • Deliverables and usage on the invoice

    How many finished minutes, in which formats, for what use. That is the line that decides whether a re-edit is free.

  • Show the cut, get it signed

    Approval on the rough cut, recorded with the fee, is what stops revision five being unpaid.

  • Deposit before the shoot date

    A payment link on the booking invoice, so the crew day is confirmed by money rather than goodwill.

  • Retained content work bills itself

    A monthly content day at the same figure. Set it recurring.

  • The quote becomes the invoice

    Quoted with the deliverables listed, billed the same way, so the scope is visible.